
January 6
Bergère Captive from Three Pieces
Pierre-Octave Ferroud
Performed by Jennifer Parker-Harley
Recorded by Jeff Francis

January 8
Sonata Op. 16 for Flute Alone
Rudolf Escher
Rudolph Escher, was born on this day in 1912 in Amsterdam. He was a man of many gifts, respected not only as a composer, but also as a theorist, writer, artist and poet. The Sonata, Op. 16 was written in 1949.
Performed by Jennifer Parker-Harley
Recorded by Jeff Francis
January 11
Shiny Kiss
Alex Shapiro
Alex Shapiro, born on this day in 1962, is a composer, speaker, writer and activist based in California. Her piece, Shiny Kiss, is based on her own poem and is a sensual ode to the flute. www.alexshapiro.org
Performed by Jennifer Parker-Harley
Recorded by Jeff Francis

February 3
Wind-Song
Sidney Lanier
Born on this day in 1842 in Macon, Georgia, Sidney Lanier was a writer and flutist who was interested in exploring the interrelationship among music, poetry, and nature. More well-known for his poetry, he was a professor of literature at The Johns Hopkins University. Lanier wrote “Wind-Song” in 1874 for his audition with conductor Leopold Damrosch in New York. This piece effectively displays the many facets of virtuoso flute playing in a short, one movement format, ideal for an audition setting.
Performed by Olivia Abernathy
Recorded by Jeff Francis
February 9
Pan
Harald Genzmer
German composer Harald Genzmer was born on this day in 1909. A student of Paul Hindemith, he was especially interested in composing for amateurs and children. His music is known for its expressive character and fine craftsmanship. Genzmer recently passed away in 2007.
Performed by Jennifer Parker-Harley
Recorded by Jeff Francis

February 19
Caprice from Four Pieces for Flute Alone
Jindřich Feld
Czech composer Jindrich Feld was born on this day in 1925. His compositions number over two hundred, spanning a wide range of works including chamber music, symphonies, a cantata, and a children’s opera. His works for flute include a concerto written for Jean-Pierre Rampal, a sonata, and the Four Pieces for solo flute. The titles of the Four Pieces are as follows: Méditation, Caprice, Intermède (Hommage à Bartók), and Burlesque.
Performed by Jennifer Parker-Harley
Recorded by Jeff Francis
February 20
Pearls
Zoltán Gyӧngyӧssy
Born on this day in 1958, Zoltán Gyӧngyӧssy was a Hungarian composer known for his love of contemporary music. His set of pieces, Pearls, is written for his closest friends. Each “Pearl” is dedicated to a specific person, and is meant to embody the style and persona of that person. Movement 6 is written for prepared flute: half of a cork is inserted into the head joint.
Recorded and Performed by Stacey Russell

February 22
Hongroise from Eight Pieces
Lowell Liebermann
Lowell Liebermann was born on this day in 1961. Beloved by flutists for his many works for the instrument, Liebermann’s Eight Pieces for Solo Flute provide vignettes of different musical styles rendered into his unique compositional style. The fifth piece, titled “Hongroise,” is perhaps inspired by Hungarian dances. Josh Stine, the flutist featured on the recording, is a Junior in the Bachelor of Music degree program at USC.
Performed by Joshua Stine
Recorded by Jeff Francis
March 8
Allegro from Flute Sonata in A Minor
C.P.E. Bach
Carl Philipp Emmanuel Bach was born on this day in 1714. Like his father, J.S. Bach, he was successful as a composer and keyboard player, holding posts as a court musician for Frederick the Great of Prussia and as Kapellmeister for the city of Hamburg. His music serves as a bridge between the Baroque and Classical periods, and is an example of the German empfindsamer stil, which was characterized by chromaticism, an improvisatory style, and sudden changes in character. Bach wrote his Sonata in A Minor for flute solo in 1747. It is one of few existing works for unaccompanied flute from this period.
Performed by Jenny Davis (DMA ‘21)

March 17
Introspective from Sonata
John LaMontaine
Born in Chicago on this day in 1920, John LaMontaine won both the Pulitzer Prize and the Guggenheim Fellowship during his long career. Varied influences can be heard in his works, from sounds of nature to jazz to medieval music and folk song. He said, “Part of my creed is that you should be interested in everything.” His most popular work for flute, the Sonata, shows his characteristic rhythmic vitality and jazz influence.
Performed by Jennifer Parker-Harley
Recorded by Jeff Francis
March 19
Three Preludes
Robert Muczynski
Born on this day in 1929, Robert Muczynski was an American composer and pianist. His relatively small compositional outlook consists primarily of chamber works and piano pieces, although his compositions for flute are numerous and have become part of the standard repertoire for the instrument. The Preludes exhibit his sense of rhythmic vitality and the influence of jazz on his style.
Performed by Jennifer Parker-Harley
Recorded by Jeff Francis

March 21
Allemande from Partita in A Minor
J.S. Bach
Born on this day in 1685, J.S. Bach wrote his Partita while he was music director at the Calvinist court of Cöthen. Bach adopted the form of this four-movement work from the French baroque instrumental dance suites. The “Allemande,” no longer danced by the 17th century, is a highly-ornamented introductory movement in a German style.
Performed by Emily Stumpf
April 10
Scherzando from Douze Etudes
Jacques Castérède
Jacques Castérède was born on this day in 1962 in Paris, France. Romantic, but quite modern, his studies for flute can be very technical and rhythmic. His music is essentially melodic, often using modal scales over rich and varied rhythmic structures. This short and quirky etude has the dance-like qualities of a scherzando, but unexpected, multi-metered shifts create an unpredictable approach to the standard form. These studies are charming and work well as short stand alone performance pieces.
Performed by Roya Farzaneh (UofSC DMA Candidate)

April 13
Mollitude
Frederic Rzewski
American composer and pianist Frederic Rzewski was born on this day in 1938. Mollitude for solo flute was composed in 2006 for Molly Barth, founding member of the new music sextet eighth blackbird. Mollitude showcases a wide range of possibilities on the flute from the lowest notes to the highest, fast virtuosic passages followed by extremely soft and delicate harmonic tones, and percussive sounds marked in the score as “(stomp)”
Performed by Lauren Watkins (DMA ’16)
April 14
Petal Shower from This Floating World
Edie Hill
Minnesota-based, award-winning composer Edie Hill celebrates her birthday today. Her work is noted for its ethereal expressivity. This Floating World, for solo flute, are musical illustrations of five haiku by the great Japanese poet Basho (translations by Robert Hass). Petal Shower is the fourth movement of this work.
Performed by Jennifer Parker-Harley
Recorded by Jeff Francis

May 7
Refractions: on Escher
Richard Drehoff Jr.
Richard Drehoff Jr. is a Baltimore-based composer and close personal friend of mine. Richard’s music asks performers to explore vulnerability, navigate fragile extended techniques, and observe silence as a crucial element of his compositions. In this piece, he writes multi-phonics at the extremes of their playable dynamics that are, as he says, “carved into the rock face” of the surrounding silence. He additionally composes for the solo flute using a double-stave score to impart the interplay of background and foreground in the work as inspired by Escher’s “Day and Night,” which gets projected in the background of any performance. Richard is one of my oldest friends and most frequent collaborators because we work closely together as members of earspace, a NC-based contemporary performance ensemble. Our close relationship and Richard’s unique mix of glowing warmth and unflinching meticulousness made this collaboration extremely fun and rewarding. - Philip Snyder
Performed by Philip Snyder (UofSC MM’15, DMA ‘18)
May 29
Andalouse
Émile Pessard
Émile Pessard was born on this day in 1843. Pessard was mainly known for his operas and masses and the Andalouse certainly employs the composer’s familiar, singing style. The piece was originally written as part of a collection of 25 works for piano but lends itself easily to performances that include a soloist playing the beautiful melody. The title probably refers to the Andalucia region of southern Spain.
Performed by Jennifer Parker-Harley
Recorded by Jeff Francis

May 31
Les Folies d’Espagne
Marin Marais
Performed by Jennifer Parker-Harley
Recorded by Jeff Francis
June 18
Run in a Graveyard
Du Yun
Du Yun, born on this day in 1977, is one of the most successful composers of our time having won the Pulitzer Prize as well as many other awards and fellowships. Her piece Run in a Graveyard asks the flutist to interpret a score filled with both standard notation and graphic instructions in response to an electronic track carrying out a texture sweep from pointillistic bleeps to overexposed clipping. Kenneth (UofSC ’14) worked with Du Yun in his version of this piece and finds the mix of specific notes and graphic score rewarding to perform. The process of learning the piece showed Du Yun’s affinity for collaboration as she explored possible realizations with Kenneth.
Performed by Kenneth Cox

June 18
Caprice No. 6
Anton Stamitz
Anton Stamitz was born on this day in 1750. Stamitz was a violinist and composer who at one time held the title ordinaire de la musique du roi in the King’s court at Versailles. He wrote a large amount of flute music including the collection of 8 Caprices which make up most of the flute’s late-eighteenth-century repertoire alongside Mozart.
Performed by Jennifer Parker-Harley
Recorded by Jeff Francis
August 8
Pièce Romantique
Cécile Chaminade
Cécile Chaminade, born on this day in 1857, was the first female composer to receive the Légion d’Honneur, the highest order of merit from the French government. While better known for her flute Concertino, this smaller piece is a lovely example of her French romantic composition style.
Performed by Jennifer Parker-Harley
Recorded by Jeff Francis

August 15
Pièce
Jacques Ibert
Jacques Ibert, born on this day in 1890, was a successful French composer. Pièce, according to an oft-told legend, was supposedly written over the course of a dinner party celebrating the premiere of Ibert’s flute concerto and was sight-read by Marcel Moyse on the same night. Regardless of the legend, this charming solo is a perfect reflection of Ibert’s neo-classical style and represents a large body of work inspired by the master flutist, Moyse.
Performed by Brianna Futch (UofSC MM ‘18)
August 17
fAt
Donnacha Dennehy
Today we celebrate the birthday of Irish composer Donnacha Dennehy. Dennehy is the founder of Crash Ensemble, Ireland’s premier new music ensemble, and serves on the faculty of Princeton University. fAt was written for Irish flutist, William Dowdall and electronics in 2000.
Performed by Jenny Davis (DMA ‘21)

October 21
East Wind
Schulamit Ran
Shulamit Ran is a Pultizer-Prize-winning, Israeli-American composer and was a long-time professor of composition at the University of Chicago. Winds from the east are used as symbology for deadly or chaotic events in biblical writings and poetry. East winds are also geographically ominous for Ran’s native Israel, originating from the Arabian desert and carrying high gusts and drought. “East Wind” is undoubtedly inspired by this connotation but mixes in moments of calm tranquility among sections marked “wild,” perhaps alluding to the contemplative nature of wind in addition to its disastrous qualities.
Performed by Philip Snyder (UofSC DMA ‘18)
October 24
Sequenza I
Luciano Berio
Luciano Berio, born on this day in 1925, was a pioneering composer noted for his work in electronic media and for his series of virtuosic pieces for solo instruments, the first of which is written for flute. These Sequenza are meant to explore every timbral possibility of the instruments for which they are written and often call exhaustively for extended techniques. The Sequenza I for flute is the first known use of multiphonics on the instrument as well as a pioneering usage of spacial notation. Interpretational challenges of this composition are additionally complicated by a 1992 edition which sets the piece in traditional notation and which opens up to a wide variety of choices to be made by each performer.
Performed by Nave Graham (UofSC BM)

November 11
A Tale of Four Dragons
Fang Man
To celebrate Chinese New Year, today we share a work by Fang Man, a Chinese-born composer. Fang is a prolific composer of both large- and small-scale works, including electro-acoustic music and opera, and she is currently a professor of composition at USC. Her music has been performed by such ensembles as the Los Angeles Philharmonic New Music Group and the Tokyo Philharmonic. Her piece A Tale of Four Dragons, commissioned by Mimi Stillman, is written for a solo flutist who also provides narration of the titular story, an ancient Chinese folktale, between sections of the music. The composition is excerpted for this video.
Performed by Jennifer Parker-Harley, flute and Mike Harley, narrator
November 11
I. Gemächlich from 8 Stücke
Paul Hindemith
Paul Hindemith, born on this day in 1895, is one of the most significant composers of the early 20th century. His music is described in relation to musical movements including late romanticism, expressionism, and neoclassicism always putting his own spin on the values of each style. The 8 Pieces for solo flute demonstrate Hindemith’s depth of knowledge of the idiomatic tendencies of the instrument and his ability to craft beautiful and tonal melodies from non-diatonic pitch sets.
Performed by Emily Stumpf (UofSC MM, DMA)

December 2
Winter Spirits
Katherine Hoover
Katherine Hoover, born on this day in 1937, is an American composer and flutist living in New York. Winter Spirits is influenced by the sounds of Native American music, specifically the Hopi tribe of the American Southwest. An accomplished flutist herself, Hoover’s music capitalizes on the unique characteristics of the instrument, weaving together themes that are at times playful and at other times soaring.
Performed by Dorion Burkett (UofSC BM)
December 22
Density 21.5
Edgard Varèse
Flutists are lucky to have solo works written by some of the leading 20th-century composers including Edgard Varèse, born on this day in 1883. The composer’s affinity for electronic sounds is reflected in the sharp dynamic changes of Density 21.5 that make it exciting to practice and perform. The extremes of range throughout the piece push the possibilities of the instrument and were likely meant to show off the capabilities of Georges Barrère’s newly-minted platinum flute, to which the composition is dedicated. We who play simpler, silver flutes still find joy in exploring the possibilities of our instruments by performing this work.
Performed by Blair Francis (UofSC BM)